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Viewers in Japan were also treated to a long ceremony conducted by General Matsui Iwane honoring the war dead, with Japanese soldiers carrying the ashes of slain comrades even as the Emperor presided over solemn Shinto rites in Tokyo, as zigzag-shaped white streamers (shide) evoking lightening fluttered in the wind. Other shots highlight the destructive power of Japanese weaponry and the benevolence of Japanese forces shown towards Chinese POWs and providing candy to smiling children while yet other Chinese children delightedly set off firecrackers to ring in the New Year. It begins with the victory parade of Japanese forces in Nanjing, the high command on horseback with troops marching behind while additional Japanese troops line up along the road to witness the entry.
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Prepared five years before Frank Capra’s seven part American series “Why We Fight” (1943), and also drawing on Leni Riefenthal’s Triumph of the Will, Nanjing 1937 seeks to portray both the power and benevolence of the Japanese military. Japanese high command enters Nanjing on horseback ( Source) whether provided at the time of its release or years later, presumably for international distribution. The present film superimposes primitive English translation. Nippon Eiga Shinsha made it available as a DVD. (Can it also have been distributed for viewing in Chinese cities? Or for international distribution?) Long believed to have been lost, a print was discovered in Beijing in 1995, although with 10 minutes of the original missing. In Nanjing, shooting of the film continued to Januand the film was rushed to completion for release in Japan on January 20. Dispatched to Nanjing without supplies, the reign of terror began en route with Japanese forces attacking villages en route to secure food and supplies. The crew had just completed an earlier documentary, Shanghai, on the battle that paved the way for the advance of Japanese forces toward Nanjing. The next day they began shooting a documentary film, Nanjing that presents the battle as framed by the Japanese high command. Toho film on Nanjing Massacre made 1938 English subtitles Its mission: to document the transition to Japanese rule in the Nationalist capital.
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